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The Big Hollywood Lie: Denying that Jews Control the Film Business

This essay is reprinted from the April 1, 1994, issue of New American
View, a
newsletter edited by Victor Marchetti. (It is no longer published.)
Marchetti
served for 14 years with the CIA, where he rose to be executive
assistant to the
deputy director. His book, The CIA and the Cult of Intelligence, co
authored
with John Marks, was the first critical account of the agency written
by an
insider. Marchettis presentation at the Ninth IHR Conference,
"Propaganda
and Disinformation: How the CIA Manufactures History," was published in
the
Fall 1989 Journal of Historical Review.

When country Singer Dolly Parton told Vogue magazine a couple of months
ago
that her idea for a TV series about a country singer who becomes a
gospel
singer was turned down by Hollywood, she said that "everyone's afraid
to
touch anything that religious because most of the people out here are
Jewish,
and it's a frightening thing for them to promote Christianity." Truer
words
were never spoken.

But the ADLs chief troublemaker, Abe Foxman, immediately flew into one
of his
by-now tiresome furies and fired off a letter (which he made available
to the
news media, of course) to Dolly, scolding her for her innocent, honest
comment. Foxman charged that Ms. Parton was invoking "the old
antisemitic
stereotype of Jewish control of Hollywood and hostility toward
Christianity."
He did not, however, directly contradict her or deny that Hollywood is
controlled by his fellow Jews.

Being the nice person she is and knowing on which side her bread is
buttered,
Dolly dutifully and publicly apologized. She wrote to Foxman, "I regret
that
my words could have conjured up an impression of Jewish 'control' of
Hollywood." Ever the arrogant, whining bully, Foxman accepted Ms.
Parton's
atonement, informing the media that is was a "refreshing capitulation."
And
the Hollywood lie lives on.

The Jewish denial that Hollywood is controlled by Jews is a great lie
which
can be attested to by anyone who has ever been associated with the film
industry. Here is but one example.

In the late 1970s, New American View editor Victor Marchetti was
working as a
screenwriter on a spy movie. The producer, the director, Marchetti's
agent
and just about everyone else was Jewish. The proposed film was shopped
around
to several major studios. All the executives at all the studios with
whom the
project team met, with one exception - Alan Ladd, Jr., then head of
20th
Century Fox - were Jewish.

At one meeting, at MCA-Universal (the studio which produced
"Schindler's
List"), the discussion was interrupted when a latecomer entered the
studio
head's office and took a seat next to Marchetti. He was a little,
nondescript
person who seemed out of place in the production meeting. The studio
head
halted the discussion and, turning to the little man, asked if he bad
any
problems with the project after having read the treatment, an
abbreviated
script. The man, speaking with a foreign accent, said no, smiled at
Marchetti, and departed.

"Who is he?" Marchetti asked the studio head.

The powerful Hollywood boss answered, "He's an Israeli. I just wanted
to make
sure there was nothing in this movie that he would not like." As the
meeting
continued, Marchetti began to count noses. Of the nine people in the
office,
Marchetti was the only non-Jew. It reminded him of many meetings he bad
attended in the publishing world in New York, where often be bad been
the
only Gentile out of a dozen or more people discussing a book project.

Marchetti's Jewish agent leaned over and asked in a whisper, 'What are
you
thinking about?"

"Everybody in the room is Jewish except me." "Forget about that," the
agent
said. `You just better hope that your Jews are smarter than the
studio's.
We're talking big bucks."

Since then, Marchetti has had several other involvements with the
Hollywood
movie crowd. It was always the same. The Jews were, and remain, in
control of
Tinsel Town. To say otherwise is to lie.

It is bad enough when a group representing less than three percent of
the
American population - and many of whose members have a self-proclaimed
first
loyalty to a foreign nation - should be in control of so many of
America's
cultural, financial and governmental institutions. But it is positively
insulting for them to deny their influence and power - particularly
when they
themselves are continually boasting in their own circles about their
"overrepresentation" in these fields. And it is absolutely infuriating
when
this denial reaches the point that non-Jews are attacked by Jewish
agitators
and Zionist zealots for stating obvious facts and truth.

Most Americans have always been suspicious of too much power in too few
hands. That's what the Constitution is all about. And that is why we
have
never trusted elitist groups which have tried to dictate to us. So, if
we
don't trust the old-line establishment, the old elite, why should we
not be
suspicious of the new elite -the Jewish establishment - and its
excessive
power in America.

Reprinted from
The Journal of Historical Review,
(Volume 17, number 5, September/October 1998)
The Journal of Historical Review:
P.O. Box 2739 , Newport Beach, CA 92659, USA.
Subscription: $40 per year (domestic).

 

 

TRAITOR McCain

jewn McCain

ASSASSIN of JFK, Patton, many other Whites

killed 264 MILLION Christians in WWII

killed 64 million Christians in Russia

holocaust denier extraordinaire--denying the Armenian holocaust

millions dead in the Middle East

tens of millions of dead Christians

LOST $1.2 TRILLION in Pentagon
spearheaded torture & sodomy of all non-jews
millions dead in Iraq

42 dead, mass murderer Goldman LOVED by jews

serial killer of 13 Christians

the REAL terrorists--not a single one is an Arab

serial killers are all jews

framed Christians for anti-semitism, got caught
left 350 firemen behind to die in WTC

legally insane debarred lawyer CENSORED free speech

mother of all fnazis, certified mentally ill

10,000 Whites DEAD from one jew LIE

moser HATED by jews: he followed the law

f.ck Jesus--from a "news" person!!

1000 fold the child of perdition

 

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